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´ëÇÑÁö¸®ÇÐȸÁö , v.44 n.3(2009-06) |
ÁÖÁ¦¾î |
¹®È°ü±¤ ; ¿ª»ç°æ°ü ; ¹®È»ê¾÷ ; Áö¿ªÀÇ »çȸÀû ±¸¼º ; Á¤Ã¼¼ºÀÇ Á¤Ä¡ ; ±â¾ïÀÇ Á¤Ä¡ ; cultural tourism ; historical landscape ; cultural industry ; social construction of region ; politics of identity ; politics of memory |
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ÀÌ ¿¬±¸´Â ÀϺ»»çȸÀû ¸Æ¶ô ¼Ó¿¡¼ Áö¹æµµ½Ã°¡ °ü±¤À» ÅëÇØ »õ·Ó°Ô âÁ¶µÊÀ» ¹àÈ÷°í, Áö¿ªÀÇ Àǹ̰¡ »çȸÀûÀ¸·Î Çü¼ºµÇ´Â °úÁ¤À» °íÂûÇÔÀ¸·Î½á, ¹®È°ü±¤ÁöÀÇ Áö¿ªÁ¤Ã¼¼ºÀÌ »çȸÀûÀ¸·Î ±¸¼ºµÇ´Â ÇÁ·Î¼¼½º¸¦ ¹àÈ÷´Â °ÍÀ» ¸ñÀûÀ¸·Î ÇÏ¿´´Ù. ±¸Ã¼ÀûÀ¸·Î, ù°, ¹®È°ü±¤ÁöÀÇ»çȸÀû±¸¼º¿¡´ëÇÑ°³³äƲÀ»¡®ÀçÇؼ®¡¯,¡® Á¦µµÈ¡¯,¡® ÀçÀνġ¯´Ü°è·ÎÁ¦¾ÈÇÏ¿´´Ù. µÑ°, ÀϺ»Áö¹æµµ½Ã¿ÀŸ·çÀÇ¿îÇϺ¸Á¸¿îµ¿°ú ¿ª»ç°ü±¤ÁöÈ¿¡ ´ëÇÑ »ç·Ê ¿¬±¸¸¦ ÅëÇØ ¹®È°ü±¤ÁöÀÇ »çȸÀû ±¸¼º °úÁ¤ ´Ü°è¿¡ ´ëÇÑ ½ÉÃþÀû ºÐ¼®À» ½ÃµµÇÏ¿´´Ù. ¼Â°, Áö¿ª Á¤Ã¼¼ºÀÌ À籸¼ºµÇ´Â °úÁ¤¿¡¼ ÀÛµ¿ÇÏ°í ÀÖ´Â ÁÖµÈ ¸ÞÄ¿´ÏÁò¿¡ ´ëÇØ Ã¼°èÀûÀ¸·Î °íÂûÇÏ¿´´Ù. °á·ÐÀûÀ¸·Î, Áö¿ªÀÌ Á¤Ã¼¼ºÀÇ Á¤Ä¡¸¦ ÅëÇØ »õ·Ó°Ô ÀçÇؼ®µÇ¸ç, °æÁ¦Àû µ¿±â·Î ÀÎÇØ ±× Àǹ̰¡ ¼öÁ¤µÇ°í ŸÇùµÇ¸ç Á¦µµÈµÈ´Ù´Â °ÍÀ» ¹àÈ÷°í, ±â¾ïÀÇ Á¤Ä¡¸¦ ÅëÇØ ±¸¼ºµÈ ÁøÁ¤¼ºÀ¸·Î È®¸³µÇ¸é¼ ²÷ÀÓ¾øÀÌ À籸¼ºµÈ´Ù´Â Á¡À» Á¦¾ÈÇÏ¿´´Ù. |
¿ä¾à2 |
This study aimed to reveal that a local city was recreated by tourism, and to discover a general process in which the regional identity as a tourist destination was reconstructed. Specifically, firstly, this study suggested that the social construction of cultural tourist destinations was composed of a series of dynamic stages such as ¡®reinterpretation¡¯, ¡®institutionalization¡¯, and ¡®recognition¡¯ conceptually. Secondly, the dynamic stages were analyzed on the ethnographic study of Otaru where the movement of preservation of the historical canal was raised and strategies to attract tourism had been implemented. Thirdly, a main mechanism acting on each stage was examined. In conclusion, it was shown that the region was reinterpreted through the politics of identity and the meaning was institutionalized through political and economic negotiation. Moreover, while being established as a constructed authenticity by politics of memory, the regional identity was embedded in the socio-spatial consciousness constantly. |