| 논문명 |
안도다다오 건축에 표현된 일본전통 차경기법에 관한 연구 / A Study on the Japanese Traditional Borrowed Landscape in Architecture of Ando Tadao / 그의 ‘추상과 구상의 중합’에 의한 개념을 중심으로 |
| 수록사항 |
한국실내디자인학회 논문집, v.17 n.1(통권 66호) (2008-02) |
| 주제어 |
안도 다다오 ; 차경기법 ; 추상과 구상의 중합 ; Ando Tadao ; Borrowed Landscape ; Polymerization of abstraction and representation |
| 요약1 |
본 연구는 그의 건축적 배경이 일본의 전통적 정원기법인 차경에서 비롯되었다고 보았을 때, 그의 건축 속에 반영된 자연적 요소의 도입 절차와 방법에 대하여 분석할 것이다. 이것은 안도다다오의 건축적 언어가 단순히 자연요소의 도입이라는 기존연구들의 범위를 넘어서 차경기법이라는 구체적인 일본 전통요소를 배경으로 하고 있음을 밝혀내는 데에 그 의의가 있다고 할 수 있겠다. |
| 요약2 |
Borrowed landscape is an Oriental gardening method to draw inside external natural landscape, and borrowed landscape of Japan has a different characteristic from that of Korea or China ? nature is manipulated and re-interpreted by human will in the course of applying it to architectural space. In other words, not the original scenery, but manipulated one appears which is cut, reduced, or deleted by architectural elements such as wall, window, or fence. Therefore, this study examined how architectural structure of Ando Tadao symbolizing modernist architecture understood and adopted Japanese traditional views on nature, that is, borrowed landscape. To this end, on the basis of the understanding on 'polymerization of abstraction and form’ he mentioned, his geometric architectural principles are discussed, since this serves to be an important beginning of architectural concretization by the concept of ‘form’ experienced and perceived by human being through geometric means called architecture ‘abstraction.’ The findings of this study are as follows: first, it was found that Ando Tadao generates borrowed landscape effects by polymerizing and manipulating his simple and abstract geometric structures with each other and thereby editing natural scenery, while Japanese traditional borrowed landscape introduces source scenery inside, through condensation and symbolization. Second, the results of this study revealed that his architecture functions to transcend external and internal realm of a space, which is also observed in Japanese traditional architectural borrowed landscape. Therefore, this study is considered significant in the sense that it proved that Ando Tadao’s architectural language is based on borrowed landscape as a specific Japanese traditional element, going beyond the scope of previous studies focusing simply on the introduction of natural elements. |
