°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|ARCHITECTURAL RESEARCH(³í¹®Áý) 2015³â 3¿ù

³í¹®¸í Virtual to Physical: Integration of Design Computing and Digital Fabrication in Architectural Pedagogy
ÀúÀÚ¸í ÀÌ¿µÁø(Youngjin Lee)
¹ßÇà»ç ARCHITECTURAL INSTITUTE OF KOREA(´ëÇÑ°ÇÃàÇÐȸ)
¼ö·Ï»çÇ× ARCHITECTURAL RESEARCH(´ëÇÑ°ÇÃàÇÐȸ ³í¹®Áý), Vol.17 No.1 (2015-03)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(21) ÃÑÆäÀÌÁö(10)
ISSN 12296163
ÁÖÁ¦ºÐ·ù ȯ°æ¹×¼³ºñ
ÁÖÁ¦¾î ; Physical Model ; Design Loop ; CAD/CAM ; Fabrication ; Integration ; Curriculum
¿ä¾à2 This study examines the significance of digital fabrication of scaled physical models in the digital design process and highlights the integration of design computing and digital fabrication in architectural education. Advances in CAD/CAM technologies have increasingly influenced building design and construction practices by allowing the production of complex forms that were once difficult to design and construct using traditional technologies. At the advent of digital architecture, schools of architecture introduced digital technologies to their curriculum, focusing more on design computing than digital fabrication, preventing students from completely mastering digital technologies. The significance of digital fabrication for scaled physical models as a design media within the digital design loop is discussed. Two case studies of leading schools of architecture that are successful in building the bridge between both areas are given. These focus on the curricular structure to integrate both areas within design studios. Finally, a curricular structure offering students a balanced approach to these areas of knowledge is proposed based on what was learned from these case studies.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î ¿µ¾î
DOI http://dx.doi.org/10.5659/AIKAR.2015.17.1.21
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[ƯÁý] ģȯ°æ °ÇÃ๰ÀÇ °³³ä ¹× °èȹ ¹æ¹ý
À±Á¾È£ - °ÇÃàȯ°æ¼³ºñ(Çѱ¹°ÇÃàģȯ°æ¼³ºñÇÐȸÁö) : v.1 n.2 (200710)
½ºÆ¼ºì ȦÀÇ µµ½ÃÁÖ°Å ÇÁ·ÎÁ§Æ®¿¡¼­ ´Ù°ø¼ºÀÇ Àǹ̿¡ °üÇÑ ¿¬±¸
±èÇöÁÖ(Kim, Hyun-Ju) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.32 No.08 (201608)
OMA, MVRDV, SANAA¿¡ ³ªÅ¸³­ ¸ÅÆ®-ºôµùÀÇ ¿µÇâ¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang Yong-Soon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.4 (201104)
»çȸ¿¬°á¸ÁºÐ¼®À» ÀÌ¿ëÇÑ °ÇÃàºÐ¾ß Àü¹®°¡³×Æ®¿öÅ© ±¸Ãà ¿¬±¸
¹Ú¿µ¼·(Park Young-Sup) ; Á¶¿µÁø(Cho Young-Jin) ; Á¤ÀçÈÆ(Cheong Jae-Hoon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
±¹³» ¾ÆÆÄÆ® °ü·Ã ¿¬±¸ÀÇ ¿¬±¸ÁÖÁ¦ ½Ã°è¿­ ºÐ¼®
±èż®(Kim, Tae-Sok) ; ¹ÚÁ¾¸ð(Park, Jong-Mo) ; ¹ÚÀ¯Áø(Park, Eu-Gene) ; Çѵ¿¼®(Han, Dong-Suk) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.34 No.03 (201803)
´Ù°ø¼º °³³äÀ» Àû¿ëÇÑ º¹ÇÕ »ó¾÷°ø°£ È°¼ºÈ­¿¡ °üÇÑ ¿¬±¸
°­ÃÊÀÌ(Cho-ie Kang) ; À¯ÁøÇü(Jin-hyung Yoo) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.10 No.06 (201512)
¡®±ºÁ¶Çü¡¯ÀÇ °áÀý°³³äÀ¸·Î ¹Ù¶óº» ´ëÇÐ Ä·ÆÛ½º º¯¿ë¿¡ °üÇÑ ¿¬±¸
Û®Ó¡(Fang, Dan) ; ¹é¿ë¿î(Baek, Young-Won) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦58È£ (201705)